Mista Kleen is a hip-hop artist based in Atlanta with roots in Muskegon, Detroit, and Grand Rapids, and he is stepping forward with something he says the hip-hop world has never heard before. After many years of rapping, he has created a brand new lane he calls Athletic Hip Hop, a style built around custom jingles and theme songs made for athletes to walk out to before a fight. He also crafts custom themes for businesses, showing the same originality and focus that drive his music.

Everything Mista Kleen creates is fully copyrighted and protected, and he approaches each project as a true artist who thinks outside the box. Alongside his Athletic Hip Hop work, he continues to record regular rap and hip-hop music, staying connected to the artists who inspire him, including LL Cool J, Tupac, Eminem, Nas, Big L, 50 Cent, and Rick Ross.

“Jake Paul Anthem” is his latest release, showcasing his creative style in the spotlight with the energy and confidence that have built his reputation.

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Recorded and mastered at Whiskey Bear Studio in Virginia Beach, “Love on a Wire” pulses with melodic vocal hooks, driving guitars, and a refined sense of emotional urgency. Drummer Mark Watts (Suburban Key Party) adds rhythmic fire to the track, grounding its soaring choruses and introspective verses.

Southern describes T.S.A.F as an outlet for songs that fall outside his Suburban Key Party catalog, a creative space where experimentation meets introspection. Drawing inspiration from a wide spectrum of artists including Talking Heads, The Afghan Whigs, The Bee Gees, Michael McDonald, The Cult, and modern British alt-rock influences like Nothing But Thieves, Kid Kapichi, and The Luka State, T.S.A.F brings a sound that’s both nostalgic and freshly inspired.

“I run the gamut of artists for inspiration,” says Southern. “The feeling of discovering new music I like is amazing and definitely helps me with songwriting. These days, British alternative rock has really caught my attention; the passion and production in that genre is very inspiring.”

“Love on a Wire” captures that passion — a dynamic blend of melody, emotion, and craftsmanship that cements T.S.A.F as a project to watch.

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A lifelong drummer turned songwriter and producer, Collins created Rooftop Screamers as a studio project that thrives on collaboration. Each release brings together a mix of local Portland talent and internationally acclaimed artists, creating a dynamic, evolving sound that pays homage to his heroes – David Bowie, The Beatles, Pink Floyd, Jeff Lynne, and Steven Wilson.

“Forsaken” is both cinematic and intimate, showcasing Rooftop Screamers’ knack for crafting emotionally rich, sonically layered rock that resonates far beyond genre lines. The video mirrors this intensity, pairing the song’s heartfelt performance with visuals that evoke the feeling of isolation and transcendence, a journey from despair to catharsis.

After earning acclaim with their 2021 album Next Level, featured on Sirius XM’s Little Steven’s Underground Garage and championed by tastemaker Rodney Bingenheimer, Rooftop Screamers continues to rise as one of the most innovative rock collaborations out of the Pacific Northwest.

With Forsaken, Mike Collins once again proves that Rooftop Screamers isn’t just a project, it’s a movement of musical connection, creativity, and timeless rock spirit.

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Drawn from their conceptual album The Painter of Invisible Colors, the single captures a pivotal moment in the story: where beauty resists capture and truth demands revelation. Sweeping strings, thunderous drums, and spotlight guitars build toward an anthemic chorus that feels both personal and epic, a sound as widescreen as the emotions it explores.

The accompanying official music video transforms this narrative into movement through interpretive dance. Dancers embody the struggle between illusion and truth, their choreography shifting from restrained to fiery as the visuals “burn” with light and color echoing the emotional crescendo of the track.

Fans of Nightwish, Within Temptation, Muse, Steven Wilson, Genesis (later era), and Epica will feel right at home in DMR’s dramatic soundscape. Each element is sculpted with cinematic precision: orchestral layers meet modern rock drive, crafting an immersive experience that transcends genres.

At its core, “The Color That Burned” embodies transformation, the painful yet purifying moment when illusion is stripped away and authenticity takes its place. It’s the sound of truth catching fire.

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At its heart, Collaborations is about community, creativity, and authenticity. Conceived by Daniels and guided by producer Vic Steffens (Owner of Horizon Studios), with orchestration by Matt Oestreicher, the project revives the spirit of songwriting from the 60s, 70s, and 80s. Every track is crafted to feel timeless, weaving thoughtful lyricism with melodies that resonate across generations.

“You Gotta Know” reflects the project’s ethos: to create music with heart, grounded in social consciousness and emotional depth. By providing artists with a framework and encouraging them to infuse their own stories, Collaborations fosters diversity and unity while supporting local charities through proceeds from sales.

For fans seeking songs with substance, Collaborations offers a refreshing alternative to the noise of modern music, a reminder that music can still inspire, connect, and uplift.

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This is the first heart wrenching single off Dakota Dry’s emotionally sweeping debut album “The Edge of Our Never Ending Universe,” set for release November 20, 2025. Alongside it’s breathtaking music video created by Raina Markham, “Why Can’t You Free Me” is a captivating and slow burning story of two lovers pulled between the love they have for each other and their own internal baggage. It begins with an ethereal landscape and ends in the head spinning, powerful cry: “…I love you, but you don’t believe me/ You cry I love you, then why can’t you free me?”

Watch and enjoy the music video of Why Can’t You Free Me. Follow Dakota Dry on Instagram, and Why Can’t You Free is available on BandCamp for purchase.

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The Croft of Grimme’s Tales features a collection of poems and lyrics set to music, blending haunting melodies with vivid, story-driven verses. The project showcases Monique Grimme’s unique ability to weave historical research, personal experience, with vocal narrative into a cohesive and compelling artistic work.

The album is a testament to the enduring power of myth and the idea that our own family stories are the most important tales of all. “Cut By A Rose” has been submitted by Bongo Boy Records to The Recording Academy™ to be considered for SONG OF THE YEAR for the upcoming GRAMMY Awards®.

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In the video, the energy of the EDM mix guides every moment—the pulsing beats, ethereal orchestration, and emotional crescendos bring the poem’s journey to life. It’s a visual and sonic experience of release, freedom, and hope.

Creating this music video was both a cathartic and eye-opening experience. It was a way to visually and sonically explore the poem’s meaning: that love, at its core, is never about possession—it is about freedom, trust, and the courage to let go.

I hope this video moves you the way the poem first moved me. Whether you find yourself reflecting on the ballad or immersed in the energy of the EDM mix, may it remind you of love’s power to both break and heal, to both hold and release.

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“I Miss You (Reimagined)” by Christopher Louie Poetry is a heartfelt lyrical piece fusing soul-stirring poetry verses with poignant melody that delves into the lingering pain of lost love. Through vivid imagery and raw vulnerability, the speaker reflects on sleepless nights, fading memories, and the emotional weight of missing someone who’s no longer present.

This reimagined version, the lead track from the new “Volume Two (I Miss You)” album that was released on July 25, 2025, explores themes of longing, heartbreak, emotional distance, karmic reflection, and the hope for reconciliation. As time passes, the speaker’s love only grows deeper—haunted by what was and what could have been.

Whether you’re grieving a love lost, holding onto words left unsaid, or quietly aching for what could have been, this song offers a tender space to feel it all—a gentle reminder that you’re not alone, and that even in heartbreak, healing can begin.

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I wrote this song at a time when I first began working within a band setting having feelings about my place within the band. When I developed my vocal skills, and moved into a front man role, it was a breakthrough moment, a “seeing the light” moment. It was then that I realized the importance of both roles. It’s reaching a level of spiritual contentment, being comfortable with yourself and your place in the world.

In the meantime, by continuing to do it right with a positive attitude, whether or not that revelation occurs, you can still begin to make change happen in your life, be it physical or mental. Universally, I realized that it’s about people who sometimes feel insignificant, in the background. Whether developing into a role that is more upfront, or remaining in more of a background role, they can have that “seeing the light” moment where they realize that greatness and success are a sum of all the parts.

Essentially, all things work together for the good of others, or the greater cause, whether it’s holding down the keys in a band, or simply being on the assembly line of a manufacturer. For many it’s difficult to truly recognize how their role–big or small–fits into the big picture. If we truly realize and embrace our role, a level of happiness and fulfillment can be reached that will take us to another level of consciousness.

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